Couperin wanted to hear his music performed with taste, and filled his scores What on earth does Le Tic-Toc-Choc ou les Maillotins mean?. Couperin, F: Pièces de clavecin II: Ordre 6ème in B flat: Les baricades mistérieuses. Couperin, F: Le Tic-Toc-Choc ou Les Maillotins (18e ordre). Alexandre Couperin – Alexandre Tharaud Joue Couperin: Tic, Toc, Choc – Music. Le Tic-Toc-Choc ou Les Maillotins (18e ordre). by Alexandre.
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Thanks, but no thanks: Couperin’s music is coyperin with melancholy – perhaps due to his declining health, which seems to have bothered him for the last 20 years of his life, or perhaps brought on by the disappearance of his son, who disowned his parents we do not know why.
For many modern musicians, we can safely return to the French, and use the Heugel Le Pupitre series, the four Couperin volumes edited in the early s by Kenneth Gilbert. Revival chov historic harpsichord First go at the historic harpsichord First go at the modern harpsichord Harpsichord editions Music Books. The experience should enable us to be wary of whatever we read on the page…. Others, such as Les Moissonneurs The Reapers hark back to his rustic origins.
CBH Technical Library — Resources IV — Different harpsichord editions of Couperin’s Le Tic-toc-choc
Ther was a wide variety of composers represented, and my only wish was that the volumes were better bound. Those who have a Harpsichord with only one Manual, or a spinet, will play the upper part as written, and the Bass an octave lower; when the Bass cannot be taken an octave lower, then the upper part will have to be moved up an octave.
Sentiment rules over thematic discourse. My parents, my first teachers, no doubt told me something about him: A succession of Couperins held the post of organist at the church of Saint-Gervais in Paris for years Fluency and grace in movement, gesture and deportment were part of a general education, especially for the nobility. His reasoning was logical: In Couperin, I also find the lyricism and poetry that, as a player, I love to express Les Langueurs-Tendres is a beautiful example of Couperin’s long, expressive lines.
This is an unpardonable negligence, the more so since it is not at all an arbitrary matter to put in what ornaments one wishes.
Of all the harpsichord repertoire, the works penned by the French Baroque composers were intrinsically wedded to the instrument. Indeed, it is said that Louis XIV practised the courante for several hours a day in his youth.
Harpsichords Australia Home Page. His 27 suites, or ” Ordres ” as he called douperin, all contain between four and 24 miniatures. One of his most picturesque compositions is Le Rossignol en Amour The Nightingale in Lovealthough, as another French composer, Olivier Messiaen, an ardent bird-lover, noted: I now perform it often, and plan to record three discs, including eight complete Ordres. It is 33 from The portrait gallery series.
Instead, we must cross the Channel.
The music is crisp and clear, almost sparse in appearance on the page without the expressive goop and fingerings of the other versions. Some were obviously pure harpsichord material; others were written for two players at once.
Many musicians, though, would be grateful to have familiar clefs for both hands. At cboc start, I thought I would be lucky to find enough material for one disc, but I gradually fell in love with the music. It serves an expressive purpose, emphasising one note, making you wait for another, all relating once more to gesture and mood.
Pieces of this kind, moreover, are suitable for two flutes or oboes, as well as for two Violins, tooc Viols and other instruments of equal pitch, it being understood that those who play them will adapt them to their own range. The clavichord was not terribly popular in France. As a dancer myself throughout my childhood, I am drawn to any music that is dance-like.
Many are musical portraits of friends, court acquaintances or the King himself. There is more to it than that, however. To fully understand his music, we have to relate it to the manners and habits of the reign of the Sun King, and most importantly to the dance.
My next example was copyrighted inand is from Kalmus study scoreFrench Composers for the Clavichord. The facsimile is just that, so it obviously preserves the original clefs—the familiar treble for the upper stave right handand perhaps the not-so-familiar soprano for the lower, where the bottom line is middle c’.
So what score can you reliably play from? The two never met, although there is some record of a correspondence which evidently ended up as jam pot covers, thus lost forever. It takes a long time to absorb it naturally into the interpretation of a piece, let alone to memorise it.
One of the best may well be one of the first: The manager of my record company, the late Ted Perry, suggested I look at his music. We used to make the various harpsichord volumes of this Le Pupitre series available.
Couperin – Tic Toc Choc & other pieces
This score shares the neat appearance of the antique Augener edition, but has the advantage of later scholarship and greater accuracy. Couperin often found that it did not, and became irritated by poor performances of his music. Most baroque keyboard composers were content to write with minimal ornamentation, phrasing, tempo markings and other clues to interpretation, hoping that the “good taste” of the performer would take over.
I declare that in my pieces they ought to be played as I have marked them, and that they will never make a certain impression on chooc of true taste, unless they have observed to the letter everything that I have marked, without adding or subtracting anything.